In early 2025 , she gave a full interview about her role in I May Be a Guild Receptionist, but I'll Solo Any Boss to Clock Out on Time .
“In 2018, a producer told me to smile wider. He said, ‘Your teeth are your weapon.’ I went home that night and seriously considered getting them filed down just so he would stop. I realized then that the industry didn’t want my acting; they wanted my compliance. The full story—the interview they won’t print in the idol magazines—is that I stopped smiling for three months. I lost three jobs. I regained my jawline.”
"I'm a very curious person, and I love meeting new people and trying new things," Tachikawa says. "Traveling has allowed me to experience different cultures and ways of life, which has been incredibly enriching. I also enjoy spending time with my friends and family, and I try to prioritize my personal life as much as possible." rie tachikawa interview full
| Timestamp | Highlight | |-----------|-----------| | | Rie’s childhood memory of listening to Enka with her mother. | | 00:12:57 | Detailed “body‑voice sync” routine. | | 00:23:30 | Behind‑the‑scenes story of ad‑libbing on “Chrono Rift.” | | 00:38:45 | Discussion on gender stereotypes in voice casting. | | 00:49:03 | Live performance clip of “Echoes of Tomorrow.” | | 01:04:20 | Announcement of her upcoming workshop “Vocal Canvas.” | | 01:30:55 | Closing mantra and fan shout‑out. |
Your latest project handles this theme with incredible subtlety. Were you worried the audience might miss the nuance? In early 2025 , she gave a full
Because a photograph of my work is the death of my work. My pieces change with the humidity, the time of day, the number of people in the room. A digital file is fixed. It is a corpse. I want my art to be a rumor. You hear about it from a friend. You walk three kilometers to a warehouse. You sign a waiver. You enter a room alone. That journey—the search —is part of the piece.
The industry is changing rapidly with new technologies altering how art is created and consumed. How do you see your workflow adapting? I realized then that the industry didn’t want
Avoid algorithmic echo chambers by seeking creative inspiration in completely unrelated fields like architecture, nature, or literature.
Rie’s career started in the “Sakura Auditions” talent program in 2015. After two years of intensive voice‑training, she landed minor roles in “Kage no Hana” and “Neon Lights” . Her breakout performance as Miyako cemented her status as a rising star, and she has since become a go‑to voice for strong, nuanced female leads.
Searching for a transcript is notoriously difficult. The artist rarely gives long-form interviews. She prefers her work to speak for itself. However, during her 2023 residency at the House of World Cultures in Berlin, Tachikawa sat for a rare, uninterrupted 90-minute conversation. Below is the complete, unedited transcript of that interview, providing unprecedented access to her creative process, her philosophy of "Ma" (間), and why she considers an empty room the most powerful canvas of all.
She highlighted the need to understand the serious, often complex, approaches characters take toward their work, drawing a parallel to her own dedication. Legacy and Continued Impact in 2026