Yes - Close To The Edge -2013- -flac 24-192- ^hot^ 〈8K〉

: The 24-bit/192kHz FLAC format is primarily used for the Original Stereo Mix , which was transferred directly from the original flat master tapes without additional equalization.

High-Resolution Analysis: Yes’s Close to the Edge (2013, FLAC 24-bit/192kHz)

You won’t hear the difference.

Bonus Tracks : Often includes the full version of "America" and early rough mixes. Key Features of the 2013 Remix

The 2013 high-resolution (hi-res) reissue of Yes’s seminal 1972 album Close to the Edge represents a pivotal moment in audiophile catalog remastering. Released in FLAC 24-bit/192kHz format, this edition aims to transcend the limitations of the original Red Book CD (16-bit/44.1kHz). This paper examines the technical specifications, sonic implications, and historical context of this specific digital transfer. Yes - Close To The Edge -2013- -FLAC 24-192-

Whether you are comparing this to the or the newer Dolby Atmos mixes ?

Expansive and surgical. It doesn't change the "soul" of the album but cleans the "lens" through which you hear it. FLAC 24/192:

The high-resolution audio release represents the absolute pinnacle of progressive rock fidelity, combining the genre's defining 1972 masterpiece with a flat-transfer master track presented in a pristine 24-bit / 192 kHz lossless FLAC format. Released via Panegyric Records in 2013, this package features historical tape preservation alongside meticulous stereo and 5.1 surround remixes by multi-instrumentalist and renowned audio engineer Steven Wilson .

To understand why a 24-bit/192kHz resolution matters for this album, one must first understand the complexity of the music itself. Close To The Edge consists of only three tracks, occupying a vast narrative and musical landscape: : The 24-bit/192kHz FLAC format is primarily used

Steven Wilson’s 2013 remix does not alter the DNA of these tracks. Instead, it strips away the acoustic limitations of 1970s vinyl mastering, revealing the true dynamics of the original performances. Sonic Architecture of the 24-bit/192kHz FLAC

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This specific digital release is part of the high-resolution audio remasters that emerged in the early 2010s.

The 18-minute title track benefits immensely from the 24-192 resolution. The chaotic, avant-garde fusion intro can sound cluttered on lesser masters, but here, Steve Howe’s frantic guitar lines and Rick Wakeman’s keyboards occupy distinct spaces. Jon Anderson’s vocals soar cleanly above the instrumentation during the "I Get Up, I Get Down" pipe organ segment, revealing subtle vocal harmonies previously buried in the mix. 2. And You and I Key Features of the 2013 Remix The 2013

: A folk-infused epic that transforms into a soaring symphonic masterpiece.

In 2013, progressive rock musician and renowned remix engineer was tasked with remixing Close to the Edge from the original multi-track tapes. Wilson’s philosophy has always been one of preservation rather than reinvention. His goal was to clean the acoustic "glass" of the original mix, correcting the unavoidable generation loss and mud inherent to 1970s tape bouncing without losing the vibe of the original masterpiece.

If you want to compare this to (e.g., King Crimson, Jethro Tull)

Includes the track "America" (remixed and original versions), early rough assemblies of all three album tracks, and various single edits.

: A multi-part pastoral folk-rock epic featuring delicate acoustic guitars and soaring Moog synthesizers.