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In a CGI world, Ghibli remains a sanctuary for 2D animation. Hayao Miyazaki and the late Isao Takahata create worlds where gods ride bathhouses and raccoons fight land developers. Their films are gentle yet profound, exploring environmentalism, childhood, and grief. The studio’s recent The Boy and the Heron (2023) proved their retirement-that-never-was still yields masterpieces. In a CGI world, Ghibli remains a sanctuary for 2D animation

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Anchors their superhero output, undergoing a massive creative relaunch to rival the MCU.