While written by a saxophonist, the concepts are designed for all instruments , including piano and guitar. 3. Implementation Guide
Though the results sound complex, the technique is "fairly easy to understand" because it relies on basic three-note shapes rather than 7- or 8-note scales.
: Practice alternating notes between the pairs (e.g., Note 1 of Triad A, Note 1 of Triad B, Note 2 of Triad A, Note 2 of Triad B). Intervallic Improvisation Walt Weiskopf Pdf 42
Though written by a saxophonist, the concepts are geometric and mathematical, making them perfectly applicable to trumpet, flute, piano, guitar, or vibraphone. Core Concepts of the Method
Improvising by alternating between these two triads naturally introduces wider intervals (fourths and fifths). This practice completely avoids the predictable, scalar motion of standard seven-note modes. Directional Variance While written by a saxophonist, the concepts are
Accompanying audio tracks or play-alongs essential for ear training.
Traditional jazz improvisation often teaches students to play "stepwise" through scales or to outline chords via arpeggios (1-3-5-7). While effective, these methods can sometimes lead to predictable, linear solos. : Practice alternating notes between the pairs (e
Pick two triads and practice connecting them across the full range of your instrument.
Weiskopf instructs the player to:
If you are looking for the contents of the Intervallic Improvisation PDF, you will likely find these core pillars: