| Compatibility | ![]() FC v2.7.15 (x64) |
![]() FC v2.7.15 (x64) |
![]() FC v2.7.15 (x64) |
![]() FC v2.7.15 (aarch64) |
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Altair |
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ASCOM |
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Basler |
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FLIR/FlyCap |
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FLIR/Spinnaker |
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LUCID |
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NexImage |
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OGMA |
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PlayerOne |
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QHY |
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Skyris |
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SVBony |
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TIS |
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Touptek/Omegon |
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ZWO ASI |
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Older Versions
Apply high-pass and low-pass filters to the disco loops, modulating them over 4 or 8 bars to create tension.
For producers seeking to replicate the iconic sounds of labels like Ed Banger or artists like Justice and Daft Punk, this collection provides an excellent starting point.
: Pre-mapped kits for software like EXS24, Kontakt, NN-XT, and HALion.
This collection is filled with high-quality audio files. They are ready to drop into your music software. : Heavy bass drums that drive the track. Funky Basslines : Thick synth loops that make people dance. Sound Vibez French Electro House One MULTiFORMAT
The library offers a diverse toolkit for electronic music production:
You can’t have the French Touch without the "touch"—and that touch is heavy signal processing. Sound Vibez has curated a selection of synth loops drenched in phasers and flangers, utilizing low-pass filters that open up to reveal glittering highs before diving back into murky lows. The pack captures the chaotic, "dangerous" sound of French Electro, where disco samples are mangled until they sound like they are being played through a broken radio on Mars.
Instead of relying solely on filtered disco loops, producers began incorporating: Apply high-pass and low-pass filters to the disco
| Element | Characteristics | |--------|------------------| | | 4/4 kick (punchy, compressed), tight snare/clap on 2 & 4, hi-hats with shuffle. | | Bass | Saturated, sidechained to kick. Often a filtered Moog or square wave. | | Synths | Juno-106 style pads, modular arpeggios, PWM leads, and detuned saw waves. | | Guitar | Disco rhythm guitar with low-cut EQ and phaser/flanger. | | Vocals | Robotic vocoder (Daft Punk), chopped soul vox (Justice). | | FX | Heavy sidechain compression, tape saturation, bitcrushing, filter sweeps. |
This is where adds massive value. Instead of just giving you a rendered audio loop (which is hard to tune to your track), they provide the MIDI data.
One of the standout features of this release was its MULTiFORMAT delivery. Sound Vibez made sure that regardless of your software choice, you could seamlessly integrate these sounds into your workflow. The pack included: This collection is filled with high-quality audio files
, the samples were cleared and ready to be chopped into something new. It stands today as a digital artifact of a time when the "French vibe"—blending space-disco nostalgia with modern electronic power—was the ultimate goal for producers worldwide. Are you looking to find current download links for this pack, or are you interested in similar modern libraries for French House? Stream French Electro House One - Demo by SoundVibez
For sliced, tempo-matched loop manipulation [3].
Whether you are a beginner looking for inspiration or a seasoned producer looking to speed up your workflow, this pack offers significant advantages.
This eliminates the tedious work of manually chopping samples or mapping individual drum hits to your MIDI keyboard, allowing you to stay in the creative flow state. Key Features of the Pack
A: A Construction Kit is a set of audio loops (like drums, bass, synth, and FX) that are designed to be played together. Each kit is essentially the 'stems' of a full, original track. This allows a producer to see how the producer layered the sounds, remix the parts by muting certain elements, or drag and drop the whole kit into their DAW to quickly start a new project.
Create profiles for your capture targets and store all camera settings
Define your own set of filters
Various interfaces to connect your scope
Wide range of motorized filterwheels supported
Fully customizable horizontal and vertical toolbar
Fully customizable UI, different L&F and night mode colors
Keep the planet on the sensor during capture
Show ephemerides and calculate effective focal-length
History of all capture details
Automated image capture
Take automated timelapse series
Log file including all camera and capture parameters
It was back in 2008 when I got hold of a SONY newsletter announcing a new CCD sensor (ICX618) which promised fantastic sensitivity. Still working with an old webcam those days I instantly had the idea of replacing the webcam sensor with the new SONY sensor. It took weeks and dozens of emails to get the confidential spec of the new sensor. When I saw the sensitivity values it was clear: I had to have this sensor! The Basler Scout scA640 was the first machine vision camera on the market using this sensor and when I bought it the nightmare began: the included software was useless for planetary imaging and running the camera with the VRecord webcam tool was a complete PITA. Bugged by the inability to store even the basic camera settings I decided developing my own capture software.
What started as a solely private project soon turned into higher gear when fellow astronomers saw the software and insisted on getting it. I decided to make it public, included new camera interfaces and after years of continuous development FireCapture has evolved to one of the leading planetary capture tools. Developing the thing is only one part of the story: with a supportive community of users behind me I always had the feeling of someone 'looking over my shoulder' during the countless hours of programming. I can't mention all but just want to say:
Thank you guys !