Survivors must have total control over how, when, and where their stories are shared. They must also have the right to withdraw their story at any time without penalty.
The "Rape Zombie- Lust of The Dead Trilogy" consists of three films: "Rape Zombie: Lust of the Dead" (2012), "Rape Zombie: Evil of the Dead" (2013), and "Rape Zombie: Creature of the Dead" (2014). Directed by Taro Sakamoto, the series follows a post-apocalyptic world where a zombie outbreak has devastated the planet. As society crumbles, a group of survivors must navigate the treacherous landscape, facing not only the undead but also their own primal desires.
The sequel expands the world-building, revealing that roughly 90% of the world's male population has succumbed to the virus. The plot shifts its focus toward Akihabara, where a small contingent of uninfected men has managed to survive. Rather than helping the female resistance, these surviving men choose to align themselves with the zombies to exploit the chaos for their own dark desires, forcing the women into a multi-front battle for survival. Volume 3 (2013) Rape Zombie- Lust of The Dead Trilogy EngSub zo...
: Surviving women—including office workers, nurses, and schoolgirls—unite in a Shinto shrine, arming themselves with heavy artillery and explosives to defend humanity. 🎞️ Breakdown of the Original Trilogy
Beneath the gratuitous nudity, softcore lesbian interludes, and deliberately offensive premise, the Rape Zombie films attempt—with varying degrees of success—to function as . The filmmakers turn up the heat on just about everyone: Survivors must have total control over how, when,
Rape Zombie: Lust of the Dead trilogy, directed by Naoyuki Tomomatsu, is a notorious series of Japanese "pinku" (exploitation) films that blends extreme horror with transgressive adult themes. Series Overview & Plot
The series also takes aim at Japan’s Otaku (nerd) culture. By making them the sole survivors, the film posits a world where men who reject real women inherit the earth, only to use their power for petty revenge against those they feel have rejected them. However, most mainstream reviews dismiss these intellectual defenses. Decider.com famously called the trilogy "The Most Insanely Offensive Trilogy on Netflix," noting that the "titillating glee with which the filmmakers shot the zombie rape scenes (fantasies?)" completely overshadows any potential subversive message. Directed by Taro Sakamoto, the series follows a
Tomomatsu specializes in Splatter and Ero-Guro (erotic grotesque) cinema—a Japanese subgenre that deliberately pushes the boundaries of good taste by mixing eroticism, extreme violence, and surrealism. His style relies on:
One fateful evening, as Akira navigated through the abandoned streets, she stumbled upon a small group of survivors. They were holed up in an old warehouse, barricaded behind a makeshift wall of wooden planks and desperation.