Michael Jackson - Got To Be There -2013- -flac ... Now
The album consists of 10 tracks, featuring a mix of original Motown compositions and R&B covers: Apple Music
Fast-forward to 2013, when "Got To Be There" was remastered and re-released in FLAC format. This new edition allowed fans to experience the album in a whole new way, with crystal-clear sound and precise audio reproduction. The remastering process involved painstakingly transferring the original master tapes to digital format, ensuring that every detail of the music was preserved.
A Carole King cover. Michael’s innocent performance closing out the record sounds beautifully transparent. Why Audiophiles Prefer This Version Michael Jackson - Got To Be There -2013- -FLAC ...
: A vibrant, joyful cover of the 1958 Leon René hit. It remains one of the most recognizable tracks of Michael’s youth.
Motown Records (a Division of UMG Recordings, Inc.). Total Runtime: Approximately 35 minutes and 25 seconds. The album consists of 10 tracks, featuring a
| Release | Source | Notes | |--------|--------|-------| | Got To Be There (Remastered) | Motown / Universal Japan SHM-CD | Excellent flat transfer; includes bonus tracks. | | The Solo Years (Box Set, 2013) | EU/UK digital | Same master as above, but 16-bit FLAC. | | Unofficial Vinyl Rip | User-uploaded | Avoid — often noisy, volume fluctuations. |
2013 marked a quiet revolution in the way Motown/Universal handled legacy artists. Amidst the "Vinyl Revival" and the rise of high-res streaming platforms (like HDtracks and Qobuz), the label decided to revisit the early Jackson 5 solo catalog. A Carole King cover
This article explores the historical significance of the album, breaks down the tracklist, and analyzes why the 2013 FLAC edition is the definitive way to experience young Michael's genius. The Evolution of a Masterpiece
| Category | Rating (out of 10) | |----------|------------------| | Music (original) | 7 | | Performance (young MJ) | 8 (for his age) | | Production quality | 5 (dated) | | 2013 FLAC remaster | 7 | | Dynamic range | 8 | | Value for collectors | 9 |
The Japanese SHM-CD rip in 24-bit FLAC — smoother highs, less digital glare.